For the tenor sax, I used a U47fet, with a CV12 blended together (favoring the CV12) and AKG460s for rooms. JP mixed the wet/dry into a stereo track straight to pro tools. LBS has a great and distinctive sounding room great for tracking woodwinds and brass.
Same setup on the alto.
Same setup on the baritone.
For flute I used a sure beta58, and the AKG 460s for rooms, blended pre protools into a stereo track.
For all of the overdubs, JP changed the panning of the dry source in the room/stereo perspective to create a wide stereo image, and the picture of a section in a room.
No comments:
Post a Comment